Happy to be writing another song for a great singer/songwriter in Lebanon, Eileen Khatchadourian - check out some great material at http://www.myspace.com/khatchadourianeileen.
Sunday, August 28, 2011
Wednesday, August 10, 2011
Rekindling the fire
Ever stood at a crossroads? Wondering what sits beyond the horizon? I'm standing at a crossroads now, trying to figure out the next step. Not sure how I got here. Maybe I have some ideas. Not sure where I'll end up. Maybe some ideas for that too. I just feel lucky to be where I am.
It's like a knot, this crossroads. A knot in my belly that grows tighter when I acknowledge its presence. Tonight I have to make a pretty major decision about my future that can affect the next few years of my life. It's tough to think one decision can have so much power. That's life. I'm certainly not the first, nor will I be the last, to observe how lessons we take for granted as simple truths as children - like, "Life is formed from the choices we make" - take on these towering levels of meaning as we age.
Let's see what happens.
Thursday, December 16, 2010
The Next Step Forward
I saw "The Social Network" for a second time today with my brother, and remain in awe of Facebook's expansiveness and the overall trajectory of the Information Age.
Facebook is to our generation what The Beatles were to the 60's and 70's. Yet twenty years ago, when Microsoft was booming, who would have thought that Facebook - or Google or YouTube - would launch these incredible internet revolutions that would transform our lives. I am absolutely fascinated by these incredible organizations and wonder, what's next? Twenty years from today, what will be the next "Facebook"?
The history of the Internet is a fascinating one being written every second. We are a part of it.
Facebook is to our generation what The Beatles were to the 60's and 70's. Yet twenty years ago, when Microsoft was booming, who would have thought that Facebook - or Google or YouTube - would launch these incredible internet revolutions that would transform our lives. I am absolutely fascinated by these incredible organizations and wonder, what's next? Twenty years from today, what will be the next "Facebook"?
The history of the Internet is a fascinating one being written every second. We are a part of it.
Saturday, July 10, 2010
Good News Bible
Thursday, July 1, 2010
Myspace!
http://www.myspace.com/noseriki
Check it out! My new band, "No Sé, Riki". "Motorqueen" co-written with Zach; I arranged and recorded all the parts you hear in the recording :). Enjoy!
Check it out! My new band, "No Sé, Riki". "Motorqueen" co-written with Zach; I arranged and recorded all the parts you hear in the recording :). Enjoy!
Wednesday, June 30, 2010
"Village Biology"
Well, Mr. Blogo.

Hello.
I feel like since I stopped traveling, I haven't had anything substantive to give you. Nothing worth sharing. You were a medium for bizarre stories and encounters. I went out looking for the unkempt armpits in a world that seemed just too well-kept.
The heart never stops traveling, however. And just because I'm not wandering the world (which I will return to) at the moment, doesn't mean the insights or writings have stopped.
A lot of people have asked me, "What happened to the blog?" It's still here, like me! What changed is how much I told other people about it.
At this point in time, I'm shifting this blog's focus to include more excerpts from the fiction I've been writing - plays, screenplays, short stories, poems, songs etc., in addition to the rest.
So here's the first bit...a short monologue from a character named Joe in a play I wrote called, "Village Biology" submitted to Middle East America's New Plays Initiative contest (check out their WEBSITE!!! http://www.middleeastamerica.org/).
JOE
"Why does life have to be so complex? Why can’t we just gather the people we love, set our grievances straight, leave the city, and start a village in a place where we eat the corn we grew, squeeze the juice from the lemons on our trees, and walk under an open sky unhindered by steel towers, smog, and drooping drifts of exhaust. A place where the horizon’s horizon is a hill or a tree or the convergence of light, land, and mist. Where we create our own economy, our own laws and morals and religions and just start over. Hit the “reset” button. Because shit, this world is so broken that all we can do is pick up the fragments and try to create new, better worlds with whatever pieces we can get our hands on until our own village breaks and leaves behind new and smaller fragments for the next generation. But we’ll be gone by the time that happens. In someone else's world. At least that’s the hope."
Hello.
I feel like since I stopped traveling, I haven't had anything substantive to give you. Nothing worth sharing. You were a medium for bizarre stories and encounters. I went out looking for the unkempt armpits in a world that seemed just too well-kept.
The heart never stops traveling, however. And just because I'm not wandering the world (which I will return to) at the moment, doesn't mean the insights or writings have stopped.
A lot of people have asked me, "What happened to the blog?" It's still here, like me! What changed is how much I told other people about it.
At this point in time, I'm shifting this blog's focus to include more excerpts from the fiction I've been writing - plays, screenplays, short stories, poems, songs etc., in addition to the rest.
So here's the first bit...a short monologue from a character named Joe in a play I wrote called, "Village Biology" submitted to Middle East America's New Plays Initiative contest (check out their WEBSITE!!! http://www.middleeastamerica.org/).
JOE
"Why does life have to be so complex? Why can’t we just gather the people we love, set our grievances straight, leave the city, and start a village in a place where we eat the corn we grew, squeeze the juice from the lemons on our trees, and walk under an open sky unhindered by steel towers, smog, and drooping drifts of exhaust. A place where the horizon’s horizon is a hill or a tree or the convergence of light, land, and mist. Where we create our own economy, our own laws and morals and religions and just start over. Hit the “reset” button. Because shit, this world is so broken that all we can do is pick up the fragments and try to create new, better worlds with whatever pieces we can get our hands on until our own village breaks and leaves behind new and smaller fragments for the next generation. But we’ll be gone by the time that happens. In someone else's world. At least that’s the hope."
Friday, May 7, 2010
Rigging
Eye Contact
Saturday, April 3, 2010
The Latin Bourj-Hammoud
In the womb of my kitchen, behind walls of culture and every-square-inch-architecture, I heard snare drums clacking in the street. I ran out, looked out the window, and saw what's captured in the video and photos below. Needless to say, I knew then that it was Good Friday in my portion of Bushwick, The Latin Bourj-Hammoud.




Thursday, March 11, 2010
Subway Writings
Here's an observation that morphed into a monologue while I was sitting on the subway today writing.
"A row of people with books and phones. They aren't reading the words in front of their eyes. They're reading the words of the person to their left. All of them except that poor Johnson to the very left who's got nobody next to him. So by pure circumstance, by virtue of where he is in that line, he is excluded from the artificiality that governs the projections we show others. Without choosing, he now sees that we're all desperate to know each other, so desperate that we'd rather wallow in a solitude of stolen glances and what-if's than shake hands and talk about why we bite our nails or why it's so hard to love after a broken heart. We're dying to know each other. We read, we listen to music; somehow we think that words and sounds published and distributed are more cogent to our immediate lives than the person next to us. That's how life goes. You get this spectrum of relational mirrors where some people you know so well they become strangers, and some are so estranged that there is this profound connection you have, and that's, like, 90% of earth's population you're deeply connected to through this necessary, circumstantial estrangement. Question is, do we realize how how close we all are?"
"A row of people with books and phones. They aren't reading the words in front of their eyes. They're reading the words of the person to their left. All of them except that poor Johnson to the very left who's got nobody next to him. So by pure circumstance, by virtue of where he is in that line, he is excluded from the artificiality that governs the projections we show others. Without choosing, he now sees that we're all desperate to know each other, so desperate that we'd rather wallow in a solitude of stolen glances and what-if's than shake hands and talk about why we bite our nails or why it's so hard to love after a broken heart. We're dying to know each other. We read, we listen to music; somehow we think that words and sounds published and distributed are more cogent to our immediate lives than the person next to us. That's how life goes. You get this spectrum of relational mirrors where some people you know so well they become strangers, and some are so estranged that there is this profound connection you have, and that's, like, 90% of earth's population you're deeply connected to through this necessary, circumstantial estrangement. Question is, do we realize how how close we all are?"
Wednesday, March 10, 2010
French Translation
A very special thank you to Sylvie Miller for translating my poem "Departure" into French. Sylvia, a kind spirit from Monaco I've never met before, found my poem on the Armenian Poetry Project site and liked it so much she decided to translate it. She too has an awesome blog, www.poetrytranslations.blogspot.com , definitely check it out! And thanks to Lola Koundakjian and the Armenian Poetry Project for publishing my work on their site - http://armenian-poetry.blogspot.com/2010/03/raffi-wartanian-departure.html
That's right. MONACO!
That's right. MONACO!
Tuesday, March 9, 2010
Altocumuli
This morning I woke up on a beautiful day in NYC, spring whirring in the distance, to these spectacular clouds outside my window. It's only 30 minutes since I saw them and they've since disappeared. In any event, there are many KINDS of clouds and this kind is called "Altocumulus" characterized by the ominpotent wikipedia as, "a class characterized by globular masses or rolls in layers or patches, the individual elements being larger and darker than those of cirrocumulus and smaller than those of stratocumulus. Like other cumulus clouds, altocumulus signifies convection. It is usually white or gray, and often occurs in sheets or patches with wavy, rounded masses or rolls. Altocumulus often are seen preceding a cold front, and their presence on a warm, humid, summer morning frequently signals the development of thunderstorms later in the day. Alto means high and these clouds may cause rain if they are higher up."


Saturday, February 20, 2010
Fun on a Bolt Bus!
I'm alarmed to admit that this post comes aboard a Bolt Bus from Baltimore to NYC. Internet on a bus?! I decided I wold post a few passages from a short story I'm working on.
"A victim of my own self-interest, I objected to their relationship. She asked me to keep my distance from her, and I respected her wishes. But I never stopped loving her. All I had to do was turn off the lights. Lay down in my bed. On my belly. Close my eyes. And there she was. Materialized in the immaterial. As perfect as I remembered her. Enveloped in the memory’s sweetness, like being carried away on a soft cloud into a horizon of infinite enlightenment. Then the cloud slips away and you plunge into hell’s gaping mouth, the ocean, spewing seal-shaped seaweed silhouetted under faint moonlight where appearances distort upon every step – the color, the form – and you’re stranded in a hell named, “Incomprehensible”. You plunge into memory’s reality; the inability to exist within the idealized inventions of your own mind. My love for Maria had fallen into the hands of memory. The claw hands. The pillow hands. The hands composed of a thousand featureless faces. And those hands possess a dignity.
"And she had long singe forgotten about me."
AND
"Yesterday I dusted the entire room and inside the closet. Then I swept, mopped, and washed the windows. Through the window I saw the laborious lug of repair vans ill-kept. On the sidewalk a woman carried a child in one arm and groceries in the other. Despite her young age, maybe 23, the lines on her face etched deep and sloped downwards. The child began to cry and the woman tried cradling him to comfort. Then she stopped, put down the groceries, held the child with both arms, and asked, “What?”
The child cried louder.
“I’ll leave you here.” Then she shouted. “I swear to God.”
The child cried. A man across the street undoubtedly heard but did not look. He smoked a cigarette, waiting for something. He just stood there.
And projected over the groceries, the vans, the thin rain slices, and the humans, each with their own mysterious stories, I saw my eyes. And it was there I realized that I’ve been looking at my reflection my entire life and could no longer recognize myself. "
"A victim of my own self-interest, I objected to their relationship. She asked me to keep my distance from her, and I respected her wishes. But I never stopped loving her. All I had to do was turn off the lights. Lay down in my bed. On my belly. Close my eyes. And there she was. Materialized in the immaterial. As perfect as I remembered her. Enveloped in the memory’s sweetness, like being carried away on a soft cloud into a horizon of infinite enlightenment. Then the cloud slips away and you plunge into hell’s gaping mouth, the ocean, spewing seal-shaped seaweed silhouetted under faint moonlight where appearances distort upon every step – the color, the form – and you’re stranded in a hell named, “Incomprehensible”. You plunge into memory’s reality; the inability to exist within the idealized inventions of your own mind. My love for Maria had fallen into the hands of memory. The claw hands. The pillow hands. The hands composed of a thousand featureless faces. And those hands possess a dignity.
"And she had long singe forgotten about me."
AND
"Yesterday I dusted the entire room and inside the closet. Then I swept, mopped, and washed the windows. Through the window I saw the laborious lug of repair vans ill-kept. On the sidewalk a woman carried a child in one arm and groceries in the other. Despite her young age, maybe 23, the lines on her face etched deep and sloped downwards. The child began to cry and the woman tried cradling him to comfort. Then she stopped, put down the groceries, held the child with both arms, and asked, “What?”
The child cried louder.
“I’ll leave you here.” Then she shouted. “I swear to God.”
The child cried. A man across the street undoubtedly heard but did not look. He smoked a cigarette, waiting for something. He just stood there.
And projected over the groceries, the vans, the thin rain slices, and the humans, each with their own mysterious stories, I saw my eyes. And it was there I realized that I’ve been looking at my reflection my entire life and could no longer recognize myself. "
New Hampshire Compositions
Some images taken during a visit to Amherst, New Hampshire and Cambridge, Massachusetts. Thanks to my sister for letting me borrow her beautiful camera, and to the Reisingers for being such generous hosts!







None of these photos are doctored. Au natural. The spacey one is light reflecting off the stainless-steel door of a refrigerator.
None of these photos are doctored. Au natural. The spacey one is light reflecting off the stainless-steel door of a refrigerator.
Thursday, February 11, 2010
Armenian Poetry Project
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